Selasa, 13 April 2010

Strong And Straight

Naskah Pidato - It’s funny: Although one’s enjoyment of Menashe’s poems certainly can increase from the context he offers when publicly reading them, I think that—more perhaps than many contemporary poets—his tiny poems also stand up quite straight and strong on the page without any added context whatsoever. It is one of those things that prove him to be a truly great poet, I suppose.

Dr. Elizabeth Weber, associate professor of English, is one of four poets whose work has been chosen for display along the Indianapolis Cultural Trail, which is now under construction downtown.

Weber’s poem “City Generation” will be mounted at Poet’s Place, a site on Alabama Street near the Marsh supermarket that honors one of the trail’s early supporters. Weber, co-director of UIndy’s Kellogg Writers Series, also will receive a $1,000 honorarium.

The poems were selected from among 120 submissions for inclusion in the trail’s public art installation, Moving Forward by local architect Donna Sink. The three other poets’ works will be displayed on colorful new bus shelters that will be placed along the south side of Virginia Avenue between downtown and Fountain Square.

Weber teaches creative writing at UIndy, and her own poems and essays have been published in many magazines, anthologies and literary journals. She holds a master’s degree in Creative Writing from the University of Montana and a doctorate in English and Creative Writing from SUNY, Binghamton.

The text of her cultural trail poem follows.

City Generation
by Elizabeth Weber

This city loves me: even the stop lights

are concerned with my health.

The one at North and Alabama tells me, Wait!

when it turns red, and Go! when green,

not content to let me rely on my own eyes.

Usually I drive these streets and miss the aster

blooming between apartment buildings.

The killer whales hanging midair

on a building on the corner

of St. Clair and Delaware, miss

the way the Riley Towers loom

above me like Godzilla on a rampage.

Miss the human city where a man sits

on a bench with briefcase and O’Malia’s bag,

takes off his glasses and cleans them

with a gleaming white handkerchief,

a simple gesture that goes beyond young or old.

Everyday my young students in this city write

about my generation, your generation, about our generation

until my head swirls with generations

as in you generate I generate we generate

as in somebody generated this cornerstone

of the old Sears Roebuck Building

its date so faded all I can see is 19 something

erected by Samuel L somebody.

Around me new and old rise together,

mix and change into something

more than once was.

It is like what my father said to my son,

Things sure have changed

since I went to high school here sixty years ago

to which my son answered, Well, I sure hope so!

Always the hope of the young

and perhaps the old

because change is here everyday at the City Market

where pigeons still pester those eating at tables

as they did one hundred years ago,

where old men still sit and talk

and mothers still hold their babies

and ask policemen which way to City Hall.

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